Cinéma* Stage Plays & Screenplays

*Homage to the French who started it all

MOVIES

Profs

Profs film poster — a film by Nancie Caraway, coming soon
Behind the scenes on the set of Profs
Dinner scene from Profs
Directing with headphones at the monitor on the set of Profs

A retiring professor battles his ego, confronts his career, and engages with a rebellious former student, Coco – soon to be his successor. As non-Hawaiians, they are whiplashed by campus identity and branded “colonial settlers.” At a spirited dinner, the two process their shared alienation and struggle to find their kuleana. Two transformative forces lead to a fragile reconciliation. Memories of global peacemaker Petra Kelly and their love for Hawaiʻi Nei.

Hawaiʻi International Film Festival — Official Selection 2026

Sticky

Sticky poster — The studio had a plan. So did she. Written and directed by Nancie Caraway
Still from Sticky — champagne poured at a lānai dinner table

In this short drama/thriller, ingénue Jesse must outwit her greedy agent Blair. Mansplaining, he squanders her acting talents on mind-numbing super-hero IP movies. Nothing is what it seems in this battle between two creatives. Jesse’s final revenge act surprises with seduction, fantasy and glamour.

Mānoa: Historic Rainfall Valley (1980s)

Painting of Mānoa valley under a passing rain shower

Caraway’s reverence for Hawaiʻi is reflected in two media celebrations: Mānoa: A Rainforest Valley. This grassroots project is a love letter her own neighborhood. As an impact piece, it serves as a bulwark against rapacious developers, short-term renters, and tech billionaires. A documentary film love letter to those who live in and love this glorious rainforest valley. Through interviews and images – the diverse culture and community pay homage to their treasured home.

Tribute to Mary Kawena Pukui (1984)

Portrait of Mary Kawena Pukui framed with lei
ʻŌlelo Noʻeau book cover by Mary Kawena Pukui
Spectrum, Hawaiʻi Public Television, National Public Radio
Written and co-produced by Nancie Caraway, 1984

This episode explores the life and legacy of Hawaiʻi’s cultural guardian, Mary Kawena Pukui. The episode covers her early life, family history, and work to translate Hawaiian culture. Her adopted daughter, Eleanor Williamson, and research assistant, Patience Namaka Bacon, talk about her research and work at the Bishop Museum. The episode concludes with the celebration of the publication of her book ʻŌlelo Noʻeau: Hawaiian Proverbs and Poetical Sayings. The second is a PBS film that celebrates Hawaiʻi’s most revered cultural authority - Mary Kawena Pukui. ʻŌlelo Noʻeau. I served as writer and co-producer of this legacy film, which was aired on PBS.

“I think of screenplays as pieces of writing that should be able to stand on their own...I take pride in the text, including screen directions and parentheticals.

All I have is this script. I want it to be as good, as emotional, as detailed, and as dense as it can be. This is all I have of the movie at this moment.”

— Greta Gerwig

SCREENPLAYS

Five short screenplays ready to shoot

SINGLE USE

Single Use title card — A Film by Nancie Caraway
Plastic debris drifting underwater

A volatile eco-grief counselor in Honolulu, already on probation for boundary issues, is pulled toward radical climate action when her corporate greenwashing rival, her activist mentor, and one of her own teenage group members force her to confront whether therapy if enough in a world choking on plastic.

Misdirection

Chartreuse Mini electric car
Driving along Farrington Highway

In this pidgin-heavy, Hawaiʻi-set comedy, we ride along with two siblings - ID, a macho-adjacent trans brother (20-ish), and SUPA-EGO, their younger Gen Z unicorn sister. Today they chug along Farrington Highway on their Saturday holoholo. When stout ID learns they’re the designated driver in Supa-Ego’s tiny Chartreuse yigrui001 Mini electric car, the pair must literally navigate their fragile bonds as well as the road-rage of other drivers.

I Left My Heart In...

Golden Gate Bridge at night in black and white
Train hall with glowing lamps

What happens when a woman’s dreams become an imperfect vehicle for self-renewal? Inspired by the 1967 French art-house film “Gard du Nord,” two obsessive strangers find themselves strolling San Francisco’s Golden Gate Bridge. This silent short, chance-encounter shocker demands life-changing decisions. Will they escape airless urban lives? Will they run off to Tahiti?

Awake

Statue at a Buddhist temple among palms
Monk in orange robes climbing mossy steps

A negative job evaluation threatens underdog Buddhist priest, Master Park 30s, as he struggles to revive his dwindling Sangha in this comedy short. When he teams up with a pair of sassy female Gen Z influencers, Riley and Diego, 20s, they devise an alt-rock pop-up to entice new members. The kolohe (rascally) spirit of Temple founder, Abbott Kim 70s, proves to be an anarchic guide in this redemptive quest.

Green

Green — an original screenplay based on the life of Petra Kelly, by Nancie Caraway
Petra Kelly at a demonstration, black and white

“Green”: An original screenplay based on the life of global eco-feminist activist Petra Kelly. “Green” blends fact and fiction into a dramatic portrait of an unforgettable world figure. The German-born charismatic radical leader Petra Kelly co-founded the world’s first eco-feminist party. She had an electrifying public persona and personality and became a world leader, superstar celebrity, and ultimately a martyr.

STAGE PLAYS

“Soulmates”: the Passion of Petra Kelly

Petra Kelly smiling in a crowd, flowers tucked in her helmet

Called “Mother Teresa with a clenched fist,” Petra Kelly founded the world’s first eco-feminist party The Greens and became a world leader, superstar celebrity, and ultimately a martyr.

Washington D.C. Source Theatre Festival Literary Prize Winner, 1998.
Produced at the Women’s Museum, Washington DC 1991

BLOODLINES

Kumu Kahua Theatre building in Honolulu

“Why can’t we all just get along?” ‘Bloodlines’ stitches together political struggle and magical realism held together by that haunting question. Reform? Revolt? Repair? Reconcile? Characters are whiplashed between those options to form solidarity and community, and to bring coherance into a divided world.

Playscript workshopped and performed at Kumu Kahua Theater

Hawaiʻi Film Foundation at Nuʻumealani